REFLEXION QUANT AUX NOUVELLES CREATIONS
DEPUIS MA DERNIERE EXPOSITION A CHATELET, MES RECHERCHES PLASTIQUES SEMBLENT S’ETRE ACHEMINEES VERS UNE INTEGRATION AU SEIN DE L’ESPACE DU TABLEAU DES OBJETS DU QUOTIDIEN DONT J’AI TOUJOURS RECUSE LA PRESENCE , AU MOINS AUTANT PAR CHOIX ethique , que mu par une reelle impossibilite à accepter le READY MADE de MARCEL DUCHAMPS, comme voix artistique authentique et viable, en tant qu’elle me semblait augurer, au-delà d’une reflexion féconde sur l’essence du BEAU, un appauvrissement pour le peintre : contraint pour suivre la tendance contemporaine à mettre en avant le schéma du tableau, en des constructions souvent abstraites et froides , quand l’époque classique situait le schéma dans un au-delà de la forme esthétique, que le spectateur devait retrouver et par ce mouvement de sa réflexion, succédant à la contemplation : accéder à une hiérarchisation des valeurs plaçant le BEAU au niveau du BIEN et le BIEN au niveau du VRAI: soit une CATHARSIS des fêlures humaines jouet de la guerre entre les DIEUX du monde. Au lieu que d’une thématique de l’ART dit CONTEMPORAIN à distinguer de l’ART MODERNE , première tentative de se délester de l’héritage classique à travers l’IMPRESSIONISME, LE POINTILLISME, LE CUBISME et l’ART ABSRAIT, ART CONTEMPORAIN qui semble vouloir se délivrer du beau sujet qu’elle aurait tendance en ce qui concerne la peinture à noyer sous les lignes angoissante de l’architecture, recentrant l’attention du spectateur sur des oeuvres dont il ne reste dans la rétine que le schéma du vide mâtiné de design, ou d’un bouillonnement brouillon dont le spectateur doit convenir implicitement qu’il fait partie de la démarche du peintre et non d’un manque de talent. EN cela on peut avancer que la FIAC ( foire internationale de l’art contemporain) se distingue du salon des indépendants non par le lieu d’exposition : ces deux manifestations se déroulent au GRAND PALAIS , mais par le fait même qu’au salon des indépendants les peintres semblent encore attachés à l’ART MODERNE, peintres dont je ferai partie cette année, l’évènement débutant le 22 NOVEMBRE… Cependant ici je présente un certain nombre de tableaux en cours ou non , dont je me demande s’ils ne sont pas transitoire entre l’art moderne et contemporain, tant porté par une inspiration violente et incontrolable, je me suis laissé allé à décrire des sensations brut causées par des évènements historiques inédits, dont la violence m’interdisait une esthétique classique, et que par pudeur je ne pouvait prétendre créer quelque chose de beau ou de didactique , en outre certaine compositions sont des améliorations de mes tableaux, ou jaillissent d’un temps passé, lorsque ma reflexion picturale je l’avais mise au service de la dénonciation de la shoah ( donc vers 1991). La présentation suivante ouvre tout de même sur le tableau intitulé « voluptés »
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